To Deep Beneath The Waves Vol. 78
Date: Mon, 26 Jul 1999 Well, here we are after a prolonged absence. This was due to (pick 2): 1) a poisoned headache 2) a graveyard woman who kept my kid 3) sad complaints of kings and queens 4) searching for Little Sadie 5) I bummed a ride back to from where I started, or 6) the 3 posts to RMD since the last DEEP (wondering when the next edition was expected) caused a guilt trip. Hey, you gotta satisfy your fan base, no matter how big (or small :-) Anyway, I got my mind made up this past weekend to wade through the new and old and provide a recap of the goings-on of the last 4 months (4 months, whew - laaaaaaaaaaaazy). Not that there are a lack of resources anymore for this type thing (see the relatively new and excellent "Field Recordings" site). Be that as it may, KarlErikExpectingRain presents another fun-filled, grammatically incorrect (and inept), amateurish and befuddling rundown of the latest field recordings for your aural and, in some cases, visual pleasure (see Hush Hush), known in "our" idiom as, simply, THE DEEP.... "DOWN UNDER THE LOUNGE" 2CD (Dandelion 81/82) Melbourne, Australia, Mercury Lounge Club Show, 19 Aug 1998 Tracks: 21 Time: 133 Source: Audience Quality: Very Good Another in the seemingly endless series of "special" club gigs where Bob strays from the norm and pulls out some rarely played tunes to zealous throngs of a thou or less. Following in the footsteps of Toad's Place 1990, Supper Club '93, & Ft. Lauderdale '95, the Melbourne club show covers a wide array of eclectic tunes in an upbeat and energetic performance. Rare outings for Peggy-O, Shelter, Big Girl, Dungeon & Released are spattered among some usuals and not so usuals - Tough Mama, for one - and are performed with an inspired gusto that leaves the club quaking from the reactions. An exciting change of pace from the "standard fare" setlists from this period (for the most part, anyway). The quality is quite good, although not a standout among such legendary quality sets as SOUL or NY CITY '94, however, I'm told by folks who seem to know what they are talking about that this is as good as it gets. Apparently, the security was pretty tight at the gig, so perhaps the tapers were not as bold as they might have been. Nonetheless, a wonderful document of a now-legendary performance, complete with snazzy 8 page booklet and essay. TrackList: Leopard-Skin Pill-Box Hat, Pretty Peggy-O, Can't Wait, Shelter From The Storm, Tough Mama, You're A Big Girl Now, Cold Irons Bound, Cocaine Blues, Mr. Tambourine Man, Masters Of War, Roving Gambler, Tangled Up In Blue, Dark As A Dungeon, Forever Young, Highway 61 Revisited, Love Sick, Rainy Day Women #12 & 35, Blowin' In The Wind, 'Til I Fell In Love With You, Silvio, I Shall Be Released. "IN THE PINES" 1CD (Dandelion DL53) 1961-63 live/LeedsDemos/outtakes Tracks: 20 Time: 73+ Source: Line Recordings Quality: Excellent Nine Leeds demos presented in sizzling, best ever quality, sandwiched between a partial Carnegie Chapter Hall 4Nov61 performance that *should* have included all the circulating tracks, not just 2 of the 5: In The Pines, Backwater Blues. The Bear broadcast from Chicago 1963, quality of which is quite good albeit a bit compressed: Honey Just Allow Me One More Chance, Talking John Birch, BDs Dream, Hollis Brown, Talking WWIII Blues, Hard Rain, God On Our Side. Plus Rocks & Gravel (F'Wheelin' outtake) and If You Gotta Go, which could have been excised in favor of the remaining extant Carnegie tracks. The focus here, though, is on the sparkling quality Leeds demos, presented in far superior sound than previous incarnations, in my humble opinion: He Was A Friend Of Mine, Man On The Street, Hard Times In New York Town, Poor Boy Blues, Ballad For A Friend, Rambling Gambling Willie, Man On The Street, Talking Bear Mountain Picnic Massacre Blues, & Standing On The Highway. Now, if we could only get the rest of 'em plus the Witmark's in the same quality..... ....a particularly tasteful, B&W 16 page package chock full of vintage early 60's Bob pics that are more than a bit pleasing to the eye. "THE FINAL NIGHT & MORE" 2CD (Dandelion DL 72/73) See below for venues and track listing. Tracks: 33 Times: 151+ Source: Audience Quality: Outstanding Another striking package from the folks at Dandelion, this one a color, glossy 20 page booklet full of some terrific "Temples in Flames" pics and a long essay. Some of the pictures have to be seen to be believed and portray Bob in both flattering and unflattering terms. Nonetheless, a wonderfullly packaged set. Ahhhh.....the content. Well, suffice it to say that "Temples in Flames" on Wanted Man (Euro'87 compilation), "Live" (Rotterdam '87), & "Heartbreaker Blues" (Munich '87) all take a seat far in the rear to this embarassment of riches. The complete Wembley is presented in oh-so-fine sound and the filler just takes it to another level. By the end of this stretch of shows w/TP & the HB's, Dylan was stretching out vocally and they were right with him every step of the way. Benmont Tench's keyboards seemed to give the songs more depth and Campbell's lead playing was edgy and inspired, which in turn drove Dylan to experiment and go off in some interesting directions, i.e. "...St. Augustine." A fantastic Wembley performance, added to the smartly chosen filler, provides a near-perfect overview of the latter stages of Europe '87. * *NOTE: Thanks to the "Field Recordings" website, where the below source/track info was "lifted" from.** (1) Wembley Arena (London, UK); October 17, 1987 (2) Wembley Arena (London, UK); October 16, 1987 (3) Arena Civica (Milan, Italy); October 4, 1987 (4) POPB Bercy (Paris, France); October 7, 1987 (5) Paleur (Rome, Italy); October 3, 1987 (6) Vorst Nationaal (Brussels, Belgium); October 10, 1987 (7) Schleyerhalle (Stuttgart, West Germany); September 29, 1987 (8) Europe 1987 (9) Valby Hallen (Copenhagen, Denmark); September 21, 1987 Tracklist: (1) The Times They Are A-Changin, Like A Rolling Stone, Maggie's Farm, Forever Young, Dead Man Dead Man, I Dreamed I Saw St Augustine, Simple Twist Of Fate, I'll Be Your Baby Tonight, Watching The River Flow, Gotta Serve Somebody, Man Of Peace, I And I, Don't Think Twice, Tomorrow is A Long Time, Heart Of Mine, In The Garden, Knockin' On Heaven's Door, Chimes Of Freedom (w/Roger McGuinn), Rainy Day Women #12 & 35 (w/George Harrison), Go Down Moses (2) Emotionally Yours, To Ramona, Lenny Bruce (3) License To Kill (4) House Of The Rising Sun (5) Wicked Messenger (6) Desolation Row, Lonesome Death Of Hattie Carroll, Shot Of Love (7) Joey (8) John Brown (9) When I Paint My Masterpiece I HAVE NO ONE TO MEET 2CD (Waveband 10/11) Copenhagen, Denmark, June 11, 1998 + filler Gothenburg, Sweden, June 10, 1998 Tracks: 22 Time: 148 Source: Audience Quality: Excellent Just one more superb offering from the folks at Waveband.......upfront, in your face sound with great depth and clarity........hard to fault any of the European summer '98 efforts, and this one is right up there, particularly considering the killer setlist and splendid renditions of Shooting Star, Love -0 and a gorgeous make You Feel My Love, plus some enticing filler from Gothenburg, highlighted by an engaging Born in Time. A stunner and highly recommended. June 11, 1998 setlist: Watchtower/StayingHereWithYou/ColdIrons/SHOOTING STAR/Silvio/RAMONA/Masters/LOVE -0/Tangled/Can'tWait/Feel MyLove/BLINDWILLIE/H61/Don't Think 2X/ LoveSick/RDW12&35/Blowin'. Gothenburg, SW 6/10: To Be Alone With You/LONG BLACK COAT/BORN IN TIME/Times/BABY BLUE. WHITE DOVE 2CD (Dandelion DL 83/84) (1) Irving Plaza (New York, NY); December 8, 1997 + Prince's Trust Concert London, UK, June 29, 1996 Tracks: 21 Time: 137 Source: Soundboard/TV Quality: Sonic Boom See DEEP 74 ("Tonight I'll Be Playing Here For You") for a review of the Irving show. This version, though difficult to imagine, is a step up in sound, seemingly remastered to provide a bit more "boost" and fullness to the already remarkable sound of the former. A devastating set, beautifully packaged with a 12 page cover/booklet. This one also boasts primo quality filler of the Hyde Park, London 1996 broadcast of 5 tracks w/Al Kooper and Ron Wood: Pillbox, Tom Thumb's, Positively, Silvio, H61. Irving tracks: Maggie's Farm/Tonight I'll be Staying Here With You/Cold Irons/BigGirl Now/Can't Wait/Silvio/Cocaine/ToRamona/Tangled/WHITE DOVE/ I AND I/Till IFell In Love With You/H61 Revisited/Don't Think Twice/ LoveSick/RDW 12&35. An essential listening experience. HARD TO FIND 6 1CD (Magic Hand 457 823-2) various released b-sides, etc. Tracks: 18 Time: 79 Source: Various Quality: Excellent (Thanks once again to the "Field Recordings" website for the "stats" below). An off kilter compilation presenting some officially released material alongside some unrelated unreleased material that leaves one wondering what was going through the compilers mind. Somewhat useful if only for the fact that the "Lovesick" single b-sides are all in one place, and the Doug Sahm tracks are excellent. The rest is pretty much rehash and has been widely available on numerous other releases. For the completists out there. (1) "Love Sick" CD singles w/bobdylan.com bonus tracks (2) extended single (3) Doug Sahm And Band LP (4) Columbia Records Studio A (New York, NY); May 1, 1970 (5) Freewheelin' Bob Dylan (official track w/John Hammond intro)) (6) Live '80 (7) Civic Center (St. Paul, MN); October 31, 1978 Tracklist: (1) Love Sick, Cold Irons Bound, Cocaine Blues, Born In Time, Can't Wait, Roving Gambler, Blind Willie McTell (2) Handle With Care (3) Is Anybody Going To San Antone, Wallflower, Blues Stay Away From Me, Me And Paul (4) I Threw It All Away, I Don't Believe You, Honey Just Allow Me One More Chance (5) Oxford Town (6) Ain't Gonna Go To Hell For Anybody (7) Coming From The Heart "HUSH HUSH SWEET CHARLOTTE" 2CD (Dandelion DL 115/16) Charlotte, NC,10 Dec 1978, plus filler Nashville, TN (12/2) and Columbia, SC (12/9) Tracks: 30 Time: 157 Source: Audience Quality: Outstanding It does'nt get much better than this. Far and away the most inspired, smokin' '78 performance I've heard - Dylan sounds possessed and sings with apreacher's fervor on every tune - not to mention prefacing the songs with twilight zone-like tales of "gypsy kings with 16 wives and 130 children, carnival geeks who bite the heads of live chickens and old men with fire in their eyes and smoke coming out of their nostrils," to quote from the liner notes. An awe-inspiring performance by Dylan and band (Billy Cross on lead guitar, David Mansfield on violin and Steve Douglas on sax, particularly) that leaves Budokan and most everything else from this tour in its wake. The filler tracks include an incredible Watchtower w/a Mansfield violin solo for the ages. Dylan could feel the Devil comin' round the corner, it seems, and rousts the crowd with a legendary performance. - .this may be the definitive show from '78. Quality is full and bright, excellent for a '78 show - crank it up and revel in its majesty while staring wide eyed at the hypnotic, sensational front cover shot (not to mention the fabulous pics that grace the poster/collage package). An all-time great. "MASTER OF ZURICH" 2CD (Lucky LR 011/12) Zurich, SWITZ 25Apr99, plus filler from Marseille, FR, 23Apr99 Tracks: 20 Time: 145 Source: Audience Quality: Exc/VG Short and sweet on this one. Crunchy, upfront & outstanding sound quality on the Zurich show, highlights being epic versions of Hard Rain & Baby Blue. Too tiresome to conjure up any more adjectives to describe Bob's performance, or the performance of the crack band during the Euro '98 trek, where Bob presented a revamped show that opened with 7 acoustic numbers. Suffice it to say that the Zurich show is strong and tight and finds Bob in top form. The Zurich set is appended with 4 tracks from Marseilles, including an always welcome "VisionsÖ." Quality falls a bit on the filler, however. This one's a limited, numbered edition of 500, so catch it if you can. The smartly designed package includes snazzy graphics and terrific color pictures from the actual show. Zurich set: Cocaine/TMan/Masters/Girl OfNC/HardRain/TUIB/BabyBlue/CantWait/NotDark/ MemphisBlues/ MakeYouFeel/H61/LoveSick/ ToBeAlone/ XThink2X/Not Fade Away w/Lofgren & Van Zandt. Marseille 4/23/99 filler: Visions/Ain't Me Babe/Times/JLAW. "DRESSED UP LIKE A SQUIRE" 2CD (Mighty Quinn 001) Portland, ME 2/25/99 + filler various venues 1999 complete Tracks: 23 Time: 150+ Source: Audience Quality: Very Good It's become noticeable that anytime Bob decides to perform "Visions..," chances are the entirety of the show will be a stunner. That's the case here, once again, and he pulls out some other rarities to boot (no pun intended), incl/I'llRememberYou, Pos4thSt & Pledging. Sound quality is very good, upfront and crisp with a nice mix of 'top and bottom." For a lengthy recap, let's stray from the norm and pick up the "master of reviewers and global Bob-follower" Mr. C. Wohlfield for his take on this show -- "- shortly after nine pm the familiar introduction was followed with yet another..... Gotta Serve Somebody this first song already indicated that Bob was 'on' tonight. You always know it'll be a good show if she sings "you gotta serve somebody [very loud] YEAHHHHHHHHHHHHH you gotta serrrrrve somebodyyyyy"... I'll Remember You was a nice change. Maybe it only sounded so good to me because it wasn't "illion Miles", but I really enjoyed it. They killed the song every time they played it up until last summer, but now that they do it more often they actually do it quite well. It had a new ending which I thought was very good indeed. Can't Wait Slow and subdued, not sure if I liked it all that much, but at least it sounded a bit different than usual. And you're bound to appreciate that if you see many shows. Positively Fourth Street This song already made the night for me. I couldn't imagine it would get any better. Spoken/sung beautifully, very much like the awesome summer '96 versions. Very slow with great guitar work courtesy of Larry. This one made me very, very happy already. The last verse was a real killer! Silvio As I mentioned before, it now has the stop/start parts again, which improve the performance, well not a great deal but slightly. Also they cut short the noodleing part at the end and just finish the song after the last chorus. Now that's what I call a welcome change. Masters Of War (acoustic) Again with the spotlight on Bob which makes him look like a 60s flashback. Tonight he sung the song very much differently, he sounded like a wise old man, telling a tale. Very impressive. What totally made the night though was the song that followed. I wanted to hear that song more than anything and it took me 68 shows and eight years to finally get to hear it. 68 shows, that makes it roughly 1100 songs that I've heard Bob play live, and every single time (well, almost) I hoped it would be this one. I spend a lot of time - while sitting on the train for 17 hours en route to Bob's Stockholm show, on the 24 hours planeride to his Oz tour - thinking about what would be on my mind the second he starts the song. Would I holler, would I start to cry - I didn't know. It would be something along those lines though, I was sure of that. Of course, none of that was true when the big moment finally came... As soon as they started the song I noticed that this was a tune I hadn't heard before. For a splitsecond I thought it would be "Rock Of Ages", another song I would've loved to hear and which was on the cuesheet a few times. Then I thought: "oh well, it's gonna be 'Desolation Row', they just messed up the intro." But then Bob stepped up to the microphone and sang "Ain't it just like the night..." At that point I was rattling my brain... "which song does start with that line again???" It was all very weird. I know some other people had the same experience. Then it finally dawned on me: F*cking hell, it's Visions Of Johanna (acoustic) and what a beautiful performance it was. Probably the nicest band-version of the song I've heard, on tape that is. (well, I thought so anyways, but then again I'm very biased, see above). It really sounded a lot like "Desolation" and Bob mixed up the "ghost of electricity" verse but did I care? No, I didn't. Not sure if he sang three, four or five verses, but i seemed to be pretty long, especially the guitar solo by Bob at the end. Bucky added some very nice melodies on pedal-steel. It was the first time in almost three years that he did this song in the US and again it was in Portland. Wonder what the connection is? Tangled Up In Blue (acoustic) oh my god, he just did "Visions Of Johanna"!!!!! Friend Of The Devil (acoustic) Another great choice. Not as amazing as "Fourth Street" or "Visions" but still pretty good. Had a new ending, a slow fade out, which was a cool way to end a pretty perfect rendition of this great song. Pledging My Time Another long-lost song! The intro sounded a lot like "Train To Cry" badly done, but the rest was actually pretty good. A raw, heavy, powerful blues. After that Larry was to change his guitar. Tommy handed him another electric but Larry shook his head and I knew what was next... would Bob ever stop pulling out my alltime favourites tonight? Larry reached for the bouzouki and it was time for: Blind Willie McTell The first verse wasn't too hot due to some technical difficulties, but the rest was as gorgeous as ever. Bob always sends shivers down my spine when we reaches the "St. James hotel" line. Band intros followed Highway 61 Revisited After a show like that even "Highway" sounded terrific, though I'm not sure if it actually was better than usual. (encore) Love Sick Well, he would've needed to pull out something very special again to make the encores anything but an anit-climax. He didn't so it was merely four more songs done nicely. Leopard Skin Pillbox Hat Bob enjoyed singing it and everybody was happy for him. After all he had given us "Visions". Now it was time for him to play whatever he liked. He knew that and messed up the solos badly. Blowin' In The Wind (acoustic) You wouldn't believe me anyways if I'd say that this was a pretty good version, so I won't say it! :-) Not Fade Away The usual end of show madness. Great fun. 100 minutes after it had started, the show was over. With the possible expection of Dortmund '95 and the first Miami Beach show last year it was the best Dylan show I've ever seen. And I don't only say that because it had "Visions". The "Fourth Street" was pretty amazing too and I very much liked the rest of the song selection as well. I for one went home to my cozy hotel room very happy." The set is filled out with well selected and rarely played filler from late '98/ early '99, with the Setzer Orchesra horn-backed tracks particularly "choice:" PassMeNot/BlueEyedJane/HtonkBlues plus w/Setzer & Horns: Thin Man/ H61/RDW12&35, plus Knockin'. "THE LONELY GRAVEYARD OF MY MIND" 2CD (Dandelion DL 108/9) Tracks: 25 Time: 153+ Source: Audience Quality: Excellent A stunning quality presentation of the dynamite Troy, NY show from earlier this year, appended with tunes Bob pulled out only once or twice on this leg, and what tunes they are. No need to ramble on about this one, it's simply "mahvelous," both in performance terms and sound (Note: thanks once again to the "Field Recordings" website for the venue/track lists). (1) Rensselaer Polytechnic Institute (Troy, NY); February 22, 1999 (2) (Birmingham, AL); February 7, 1999 (3) Van Andel Arena (Grand Rapids, MI); February 15, 1999 (4) (Binghampton, NY); February 19, 1999 (5) Mullins Center (Amherst, MA); February 24, 1999 (6) (Portland, ME); February 25, 1999 Tracklist: (1) Gotta Serve Somebody, Million Miles, Maggie's Farm, Tears Of Rage, Silvio, Masters Of War, Boots Of Spanish Leather, Tangled Up In Blue, The Times They Are A-Changin', Cold Irons Bound, I Shall Be Released, Highway 61 Revisited, Love Sick, To Be Along With You, Don't Think Twice, Not Fade Away (2) My Blue-Eyed Jane (3) Honky Tonk Blues, Ballad Of A Thin Man (4) Friend Of The Devil, Every Grain Of Sand, Everything Is Broken (5) Pass Me Not Oh Gentle Saviour, I Don't Believe You (6) Visions Of Johanna "BETWEEN SAVED & SHOT OF LOVE" 1CD March-May '81 sessions Tracks: 18 Time: 74 Source: Studio Quality: Excellent Newly circulating outtakes from March-May 1981, presented in excellent quality. A very interesting listen with (mainly) fully realized tunes and a couple of instrumentals: IsIt Worth It?/High Away/Hallelujah/Magic/StillA Child ToMe/Wind Blows on the Water/All the Way Down/My OrientalHome/We're OnB rrowed Time/I Want You To Know I Love You/On ARocking Boat/Movin' OnThe Water/Almost/Don't Ever Take YourselfAway/great, bluesy Mystery Train. Appended by 3 previously circulating outtakes in excellent quality: Heart OfMine/Watered Down Love/Shot Of Love, and beautifully presented with a stunning cover, 12 page color, glossy booklet and thoughtful essay. Not for everyone.....Crazy Joe said it best, something to the effect of it being "unessentially essential," or something like that. THE GENUINE BOOTLEG SERIES vols 1 & 2 (reissues) Both 3CD sets Reissued by Scorpio and now packaged in tri-fold, gatefold slipcases with the thick booklets. Note that the booklets are now slightly different and contain several "new" pictures, as do the "picture sleeves" that hold the actual disks inside the panels of the slipcase. Several changes have been made to the panel pictures also. Outer packages are still color and somewhat glossy, but are not like the original issues, which were a high gloss finish and embossed in gold. Content remains the same on each set, which is what really matters anyway. Content is below for those who missed out the first time around. Essentialy essential...... GBS#1 1. Black Cross - Bonnie Beecher's apartment, Minneapolis, 22 December 1961. 2. I Was Young When I Left Home - Bonnie Beecher's, Minneapolis, 22 Dec 1961 3. Ballad for a Friend - Leeds Music as a publisher's demo, New York, Jan1962. 4. Hero Blues - Columbia Studios, New York, 6 December 1962. 5. Whatcha Gonna Do? Columbia Studios, New York, 6 December 1962. 6. Tomorrow Is a Long Time - Witmark Music demo, New York, December 1962. 7. Milk Cow Blues - Columbia Studios, New York, 24 April 1962. 8. Rocks and Gravel - on the original version of Freewheelin' 13 Nov1962. 9. You've Been Hiding To Long -New York Town Hall, 12 April 1963. 10. Farewell - Witmark Music demo, New York, probably in Dec 1963. 11. Baby Let Me Follow You Down - Witmark demo, NY, probably in Jan 64. 12. That's All Right Mama/Sally Free and Easy - "Another Side of Bob Dylan" outtake, Columbia Studios, New York, 9 June 1964. 13. New Orleans Rag - same as above 14. You Don't Have To Do That - "Bringing It.." outtake New York, 9 Jun 64. 15. Can You Please Crawl Out Your Window? - mistake 45 version 16. Desolation Row - New York, 30 July 1965 "electric" version 17. (Seems Like a) Freeze Out - Sunset Sound, Los Angeles, 30 Nov/1 Dec 65. 18. She's Your Lover Now - Columbia Studios, NY, 21 Jan1966 (piano version) Disc 2 1. Spuriously Seventeen Windows (The Painting By Van Gogh) - recorded by Robert Shelton in a Denver hotel room, 12 March 1966. 2. What Kind of Friend Is This? - Glasgow hotel room, 18-19 May 1966. 3. One Too Many Mornings - Gaumont Theatre, Sheffield, 16 May 1966. 4. Sign on the Cross - "Big Pink", West Saugerties, New York summer of 1967. 5. All American Boy - same as above 6. Nothing Was Delivered (take 2 w/ monologue) - same as above 7. I Threw It All Away - "Self Portrait" outtake, Nashville, June 1969. 8. Honey, Just Allow Me One More Chance - same as above 9. Working on a Guru - with George Harrison for "New Morning" in Columbia Studios, New York, 1 May 1970. 10. Down in the Flood - NY Academy of Music, for The Band's "Rock of Ages" album, on 1 January 1972. 11. Goodbye Holly - "Pat Garrett...." outtake Mexico City, 20 January 1973. 12. Rock Me Mama - same as above 13. Nobody 'Cept You -"Planet Waves" outtake, Santa Monica, 2 November 73. 14. Idiot Wind - from original "BOTT " test pressing,New York, 17 Dec 74. 15. Hurricane - libelous 45 version 16. Stop Now - "Street Legal" outtake, Rundown Stu., Santa Monica, 2 May 78. 17. (You Treat Me Like a) Stepchild - Civic Center, Augusta, Maine, 15 Sep 78. Disk 3 1. Trouble In Mind - b-side, Muscle Shoals, Alabama, 1-11 May 1979. 2. Yonder Comes Sin - Rundown Studios, Santa Monica, October 1980. 3. Caribbean Wind (original version) - same as above 4. Don't Ever Take Yourself Away - "Shot of Love" outtake, Los Ang, Apr-May 81 5. Thief on the Cross - live New Orleans, 10 November 1981. 6. Sweetheart like You - "Infidels" outake New York, mid April 1983. 7. Someone's Got a Hold of My Heart - same as above 8. Tell Me - same as above 9. Jokerman - same as above 10. Blind Willie McTell - same as above 11. New Danville Girl - "Empire Burlesque" outtake, Los Angeles, Dec 84 12. Important Words - scheduled for inclusion on the original version of "Down in the Groove". Sunset Sound, Los Angeles, April/May 1987. 13. Dignity - for "Oh Mercy" New Orleans, March/April 1989. 14. Like a Ship - "Traveling Wilburys Volume 3" Los Angeles, April 1990. 15. Series of Dreams - for "Oh Mercy" , New Orleans, March/April 1989. GBS2 Disc One: The Two Sisters - Karen Wallace s Apertment - May 1960) Lang A-Growin - Carnegie Recital Hall - NY - April 11, 1961 Corrina, Corrina - Columbia Studios - NY - April 24-25, 1962 That s Alright Mama - Columbia Studios - NY - November 14, 1962 Hero Blues - Columbia Studios - NY - December 6, 1962 Long Time Gone - Witmark Music Demo - NY Lay Down Your Weary Tune - Carnegie Hall - NY - October 26, 1963 Guess I m Doing Fine - Witmark Music Demo - NY Mr. Tambourine Man I - Columbia Studios - NY - June 9, 1964 Mr. Tambourine Man II - Newport Folk Festival - RI - July 26, 1964 It s All Over Now, Baby Blue - Columbia Studios - NY - January 13, 1965 Lunatic Princess Revisited - Columbia Studios - NY - June 16, 1965 I Don t Wanna Be Your Partner - Columbia Studios - NY - October 20, 1965 Freeze Out - Columbia Studios - NY - November 20, 1965 Does She Need Me I & II - Glasgow Hotel Room - May 19, 1966 Like A Rolling Stone - Royal Albert Hall - May 27, 1966 Disc Two: I m Not There - Basement Tapes - Sugerties, NY - Summer 1967 Lang A-Growin - Basement Tapes - Sugarties, NY - Summer 1967 Banks Of The Royal Canal - Basement Tapes - Sugerties, NY - Summer 1967 Silent Weekend - Basement Tapes - Sugerties, NY - Summer 1967 Wild Mountain Thyme - Isle Of Wight, U.K. - August 31, 1967 Tomorrow Is A Long Time - Columbia Studios - NY - June 1970 Spanish Is The Loving Tongue - Columbia Studios - NY - June 1970 George Jackson - Blue Rock Studios - NY - November 4, 1971 Goodbye Holly - CBS Mexico City Studios - Mexico City - January 1973 House Of The Rising Sun - Village Recorder Studios - LA - November 2, 1973 Nobody Cept You - Village Recorder Studios - LA - November 2, 1973 Tangled Up In Blue - A&R Studios - NY - September 16, 1974 Abandoned Love - Other End Club - NY - July 3, 1975 People Get Ready - S.I.R. Rehearsals - NY - October 1975 The Water Is Wide - Shangri-La Studios - Malibu - March 30, 1976 Reposession Blues - Rundown Studios - Santa Monica - February 1, 1978 If You See Her Say Hello - Rundown Studios - Santa Monica - January 30, 1978 Stop Now II - Rundown Studios - Santa Monica - May 2, 1978 Coming From The Heart - Rundown Studios - Santa Monica - May 2, 1978 Disc Three: Ain t Gonna Go To Hell - Massey Hall - Toronto - April 20, 1980 Coverdown, Breakthrough - Massey Hall - Toronto - April 19, 1980 The Groom s Still Waiting At The Altar - SF - November 15, 1980 Magic - Clover Recorder Studios - LA - April 1981 Heart Of Mine - Clover Recorder Studios - LA - April 1981 Nadine - Lone Star Cafi - NY - February 16, 1983 We Three - Malibu - March 1984 The Dawn Is Gonna Shine ( Almost Gone I ) - Beverly Theatre LA May 23, 1984 Almost Gone II - Arena Di Verona - Italy - May 27, 1984 Freedom For The Stallion - Oceanway, LA - November 1984 Something s Burning Baby - Cherokee Studios - LA - November 1984 To Fall In Love With You - Townhouse Studios - London - August 27-28, 1986 Got Love If You Want It - Sunset Sound - LA - April 1987 Don t Keep Me Waiting Too Long - Club Front, San Rafeal - May 1987 Broken Days - Studio On The Move - New Orleans - March 1989 Born In Time - Studio On The Move - New Orleans - March 1989 Most Of The Time - Culver City Studios - California - March 2, 1990 Series Of Dreams - Wolf Trap, Vienna, Virginia - September 8, 1993
To Deep Beneath The Waves Vol. 80
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