This page is part of Lonesome Sparrow's Web Site.
This page contains information on the various CDs of which the main content is
the Los Angeles concert of 3 September 1965.
>Subject: Where Beauty Goes Unrecognized #15
>From: E.W.Schoneveld@caiw.nl (Eric Schoneveld)
>Date: Sun, 10 May 1998 19:36:24 GMT
>Junkyard Angel
>Live at the Hollywood Bowl, September 3, 1965, 1 cd
>Source: Soundboard
>
>1. She Belongs to Me
>2. To Ramona
>3. Gates of Eden
>4. It's All Over Now, Baby Blue
>5. Desolation Row
>6. Love Minus Zero/No Limit
>7. Mr. Tambourine Man (incomplete)
>8. I Don't Believe You
>9. Just Like Tom Thumb's Blues
>10.From a Buick 6
>11.Maggie's Farm
>12.Ballad of a Thin Man
>13.Like a Rolling Stone
>
>THE release of 1998, just like Guitars Kiss was in '97. An (almost)
>complete Soundboard of a 1965 show at the Hollywood Bowl '65. Amazing
>performance, great quality, no serious Dylan collector can do without it...
>Rating: 5/5
>From: aamirulla@aol.com (AAmirulla)
>Newsgroups: rec.music.dylan
>Subject: HOLLYWOOD BOWL 65 BOOTLEG , IT EXISTS!!!!!!!!
>Message-ID: <1998050411421600.HAA29473@ladder01.news.aol.com>
>Date: 04 May 1998 11:42:16 GMT
>Hi just want to let everyone out there whose heard the rumors about the
>existence of a soundboard recording of this show know they're not
>rumors, the bootleg is out and in circulation. I got a copy of it over
>the weekend. Here's the track listing on the CD
> 1- SHE BELONGS TO ME
> 2- TO
>RAMONA
> 3- GATES OF EDEN
> 4- IT'S ALL OVER NOW BABY BLUE
> 5- DESOLATION ROW
>
> 6- LOVE MINUS ZERO / NO LIMIT
> 7- MR. TAMBOURINE MAN
> 8- I DON'T BELIEVE YOU
> 9- JUST
>LIKE TOM THUMB'S BLUES
> 10- FROM A BUICK 6
> 11- MAGGIE'S FARM
> 12- BALLAD OF A THIN
>MAN
>13- LIKE A ROLLING STONE
> My overall impressions on the boot are positive , the
>sound quality is very good , all songs can be heard clearly for the most
>part, the performance is good the only problem is MR. TAMBOURINE MAN is
>not heard in it's entirety it ends abruptly at the 5:31 mark. THE cover
>of the CD says BOB DYLAN LIVE AT THE HOLLYWOOD
>BOWL SEPTEMBER 3, 1965 SOUNDBOARD RECORDING AND has a photo of
>dylan in a studio with a harmonica around his neck holding an electric
>guitar with two amps in front of him the photo is set against a
>background of rainbowish colored lines.
>From: Dino
>Newsgroups: rec.music.dylan
>Subject: Re: HOLLYWOOD BOWL 65 BOOTLEG , IT EXISTS!!!!!!!!
>Date: Mon, 04 May 1998 18:58:22 -0400
>Message-ID: <354E480E.53DE@geocities.com>
>so the bootleggers got the acoustic set complete. sort of.
>supposedly Tambourine Man is truncated. groan.
>>
>> If Tombstone Blues is "missing" from the circulating DAT, does someone
>> know for sure that it exists as a soundboard recording? If so, is it
>> currently circulating or not - and why not?
>
>warning--pure conjecture follows!
>
>a nasty explanation is that the reel ran out midway through Tambourine
>Man, and no one noticed until Tombstone was already going. and
>presumably the compiler must have thought leaving the fragment off was
>justified in making the show fit on 1 CD. boo hiss. the first posts
>about this tape claimed that the DAT was of the "complete show". but
>that huge tape tree post also claimed that their half-ass tape was
>complete (sorry, guys, but i see no reason to spread an incomplete
>recording when a more complete one is available). so perhaps
>completeness is relative.
>
>another (equally cynical) interpretation of the supposed warts on this
>disc is that it was mastered from a 90 minute cassette. or that, god
>fobid, the recording entered circulation via cassette from the original
>reels. Tambourine Man would be clipped as the tape ran out at around 47
>minutes (or 52 if it was a 100 min tape). And certain songs would then
>be selected to fit on side 2, probably those that are consecutive so
>someone who wasn't looking carefully would think they had the whole
>show. who'd notice the missing first song and the missing encore? half
>of RMD, apparently. :-)
>
>is the soundboard tape mono or stereo? this could be a clue to it's
>origins.
>From: djeaux@yahoo.com
>Newsgroups: rec.music.dylan
>Subject: Re: HOLLYWOOD BOWL 65 BOOTLEG , IT EXISTS!!!!!!!!
>Date: Tue, 05 May 1998 15:50:05 -0600
>Message-ID: <6inu2h$gpm$1@nnrp1.dejanews.com>
>"Live at the Hollywood Bowl" (which is,
>BTW, a CD-R)
>Joe
>From: armstro5@interserv.com
>Newsgroups: rec.music.dylan
>Subject: 1965 Hollywood Bowl mini-review
>Date: 7 May 1998 05:28:00 GMT
>Message-ID: <6irgp0$7tq$1@lal.interserv.com>
>I just got in a CD-R of the 9/3/65 soundboard from the Hollywood Bowl.
>
>It's definitely a "bridge" performance between his '65 "persona" and the infamous character who led the
>'66 world tour onslaught. The acoustic performances are much more "65" in delivery than "66." And, the electric
>songs are incredibly raw and tentative, very unlike the 66 performances. Buick is charming as a boogie-woogie
>kind of workout. Thin Man and LARS are very weak (mix-wise) from a guitar standpoint, 'tho Kooper delivers
>some sinister organ work on the former. I Don't Believe and Tom Thumb sound nothing like their 66 counterparts and
>can most aptly be described as folk-rock in primitive form. Bob himself probably couldn't have yet envisioned what
>the '66 sound would be like from listening to this electric performance.
>
>Dylan's vocals are very prominent in the mix. Levon is rock-steady...Robbie plays sparingly but effectively when
>heard.
>
>All in all a true delight. Highly recommended as both a listening and historical piece.
>
>What's next?!!
>
>Tod
From: nak300@aol.com (NAK 300)
Newsgroups: rec.music.dylan
Subject: Western Electric '65 CD
Message-ID: <1998051613340200.JAA05406@ladder03.news.aol.com>
Date: 16 May 1998 13:34:02 GMT
I picked this CD up yesterday, this is the Hollywood Bowl '65 show that has
just come out. I guess that Junkyard Angel is also going by this title as well.
It's a gold disk cd-r, but professionally done and the title is rubber stamped
on the disk.
No artwork as of yet, that will follow the middle of next week, I've also heard
that a legit silver disk CD may also be released by the same guy who has done
these cd-r's, and that will include an additional track that is missing due to
the time limitations of the cd-r. Anyway the show is really good, it's not as
crisp as GK is, but any soundboard from '65 is worth seeking out, over-all it's
about an A- in quality. The acoustic set is really nice, Gates Of Eden is my
current favorite, and the electric set is smoking as well...being a long-time
fan of the Band, it sure is great to have a disk with Levon Helm on drums. I've
only listened thru the entire disk once, but I'll give another listen today and
send another posting on it.
>From: alan.fraser@mcmail.com (Alan Fraser)
>Newsgroups: rec.music.dylan
>Subject: Re: New CD "Western Electric" (1965 electric show!?!)
>Date: Sun, 21 Jun 1998 10:11:36 GMT
>Message-ID: <358cdb59.2781953@betanews.mcmail.com>
>I'm told the sound on the Western Electric CD is bad because of poor
>equalisation. I have this set as Hollywood Bowl 1965 on CD-R, which is
>fine. There is also a version called Electric Black Nite Crash which I
>haven't heard (Junkyard Angel is the same CD). Anyway, tapes are
>circulating too, but the missing Tombstone Blues appears to be common
>to all.
>From: lamook@ix.netcom.com (Eric Brooks)
>Newsgroups: rec.music.dylan
>Subject: Re: New CD "Western Electric" (1965 electric show!?!)
>Date: Mon, 22 Jun 1998 22:55:53 -0400
>Message-ID:
>I just received this cd as a Father's Day gift from my 13 year old (dear
>boy...guess I must be doin' something right...). Haven't had a chance to
>really listen to it yet, although I've had it on. The set was recorded at
>the Hollywood Bowl on September 3, 1965The sound quality is muffled, but
>no worse than some older boots... It starts acoustic, then goes electric
>on "I Don't Believe You," with Robbie Robertson, Al Kooper, Harvey Brooks
>& Levon Helm. Here is the set:
> € She Belongs to Me
> € To Ramona
> € Gates of Eden
> € It's All Over Now, Baby Blue
> € Desolation Row
> € Love Minus Zero/No Limit
> € Mr. Tambourine Man
>
> € I Don't Believe You
> € Just Like Tom Thumb's Blues
> € From A Buick Six
> € Maggie's Farm
> € Ballad of a Thin Man
> € Like a Rolling Stone
>
>Even if the sound quality ain't great, it's 72 minutes of live performance
>from a seminal time.....
>From: armstro5@interserv.com
>Newsgroups: rec.music.dylan
>Subject: new soundboard news
>Date: 26 Jul 1998 03:56:57 GMT
>Message-ID: <6pe9e9$bbc$1@lal.interserv.com>
> news on soundboards:
>
> The Hollywood '65 will be reissued as a double with 3 extra trax, including the TWO (not 3) missing
> songs from the show--the opener, Tombstone Blues and It Ain't Me, Babe. Also, a Chambers Brothers
> version of a Dylan song will be included, for some strange reason.
> Tod
>From: Ben Taylor
>Newsgroups: rec.music.dylan
>Subject: Re: new soundboard news
>Date: Sun, 26 Jul 1998 13:53:37 +0100
>Message-ID:
>This tape is already circulating of the 3 September 1965 concert. The
>start of "Tombstone Blues" is missing but "It Ain't Me Babe" is
>complete. Also, it does not have that odd artificial tape loop at the
>end of "Tambourine Man".
>
>I'm guessing that the "Chamber Brothers' version of a Dylan song" is
>Dylan's released Tombstone Blues recording with their overdubbed
>chorus. This began circulating about a year ago, along with other
>Highway 61 acetates. (I hope I have the right track name here, I'm
>doing this from memory)
>From: rcj10@cus.cam.ac.uk (Craig Jamieson)
>Newsgroups: rec.music.dylan
>Subject: We Had Known A Lion (VigOtone, VT 170, VT 171, 1998)...
>Date: 17 Aug 1998 17:06:19 GMT
>Message-ID: <6r9nub$iud$1@pegasus.csx.cam.ac.uk>
>We Had Known A Lion
>2 CD-Rs
>VigOtone, VT 170, VT 171, 1998
>
>Hollywood Bowl, Hollywood, California, 3 September 1965.
>Once more tape traders were way ahead of the CD-R buyers, but now this
>CD-R with Tombstone Blues and It Ain't Me Babe is widely available.
>
>This might be preferred over Electric Black Nite Crash (Junkyard Angel,
>Junk 001A, 1998) because this has the complete tape, which would not
>fit on a single CD...
>
>Similarly all the previous commercial CD-Rs we have seen in this neck of
>the woods did not have the complete tape.
>
>What are opinions of the final Tombstone Blues on the second CD-R,
>not the concert version but the filler?
>From: Alan Fraser
>Newsgroups: rec.music.dylan
>Subject: Re: We Had Known a Lion
>Date: 19 Aug 1998 05:35:23 -0700
>Message-ID: <6regqb$apg@drn.newsguy.com>
>>Anyone have it ?? (2CDs complete Hollywood Bowl 9/3/65).
>Not under that name. It's available here as Walking Like Rimbaud
>(Shotgun Records Inc.). CD1 is the acoustic set, CD2 is the electric
>set, 15 songs in all.
>From: rberg51@aol.com (RBERG51)
>Newsgroups: rec.music.dylan
>Subject: Re: Hollywood Bowl '65 on Vigatone/update
>Message-ID: <1998082021262000.RAA15483@ladder01.news.aol.com>
>Date: 20 Aug 1998 21:26:20 GMT
>for those who want to know, the Vigotone does have the missing songs, but those
>songs are not complete, but only fragments of songs.
>From: alan.fraser@mcmail.com (Alan Fraser)
>Newsgroups: rec.music.dylan
>Subject: Re: Hollywood Bowl '65 on Vigatone/update
>Date: Thu, 20 Aug 1998 22:25:36 GMT
>Message-ID: <35dda1c3.20805263@news.mcmail.com>
>Track list of Walkin' Like Rimbaud
>
>CD1 (Acoustic)
>
>She Belongs To Me 00:04:12
>To Ramona 2 00:05:48
>Gates Of Eden 3 00:06:55
>It’s All Over Now, Baby Blue 4 00:05:24
>Desolation Row 5 00:10:23
>Love Minus Zero/No Limit 6 00:04:21
>Mr Tambourine Man 7 00:06:09
>
>CD2 (Electric)
>
>Tombstone Blues 1 00:04:57 *
>I Don't Believe You (She Acts Like We Never Have Met) 2
>00:04:55
>From A Buick Six 3 00:03:55
>Just Like Tom Thumb’s Blues 4 00:05:23
>Maggie's Farm 5 00:04:59
>It Ain't Me, Babe 6 00:04:48 *
>Ballad Of A Thin Man 7 00:06:22
>Like A Rolling Stone 8 00:09:14
>
>Those marked (*) are the extra tracks over the 1 CD set.
>From: Thad Williamson
>Newsgroups: rec.music.dylan
>Subject: We Had Known a Lion review
>Message-ID:
>Date: Mon, 31 Aug 1998 12:30:53 -0700 (PDT)
>
>We Had Known A Lion; Vigotone 170/171
>
>Hollywood Bowl, Los Angeles. Sept 3, 1965.
>
>Disc 1: acoustic--1. She Belongs to Me 2. To Ramona 3. Gates of Eden 4.
>It's All Over Now, Baby Blue 5. Desolation Row 6. Love Minus Zero 7.
>Tambourine Man
>
>Disc 2: backed by Robertson, Helm, Kooper and Harvey Brooks. 1.
>Tombstone Blues 2. I don't Believe You 3. From a Buick 6 4. Tom Thumb
>5. Maggie's Farm 6. Ain't Me, Babe 7. Thin Man 8. Like a Rolling Stone
>9. Studio outtake of Tombstone Blues with backing vocal overdub (by
>backup singers)
>
>Total: 91 minutes.
>
>This release is an important addition to the corpus of Dylan's most
>productive of all years, 1965. This is a full concert, one week after
>Forest Hills, the second post-Newport concert, in pristine sound
>quality--far better obviously than the unlistenable Forest Hills tape,
>and also substantially superior to the Berkeley 12-4-65 recording (as
>on "Long Distance Operator", Wanted Man 001).
>
>The acoustic performance here is par for the course, 1965, with a few
>words by Dylan between a couple of the songs. He introduces "Desolation
>Row," briefly which gets its second live performance here. The audience
>actually laughs during the first verse at the "other is in his pants"
>line. (Elsewhere, women in the audience call for what sounds like
>"Hollis Brown" a couple of times. Dylan laughs.) Pace of the tune is
>about 50% faster than the '66 tour performances. (The concert as a
>whole duplicates the Forest Hills setlist; liner notes on CD contradict
>Krogsgaard in wrongly asserting that this is the debut of Thin Man.)
>"She Belongs to Me" sounds great. It's vintage if not truly
>transcendent acoustic Dylan '65 on the first disc. (Okay, Love-O is
>transcendent...but then I think it usually is.)
>
>The second half is of greater interest. The sound on these tracks is
>substantially different from both Newport and Berkeley (not surprising
>given the different band lineup here)--far less raucous than Newport,
>less polished than Berkeley, and far more prone to Dylan singing almost
>operatically. LARS is the most obvious case in point. There is no
>soaring guitar line here, for some reason, very minimal backing. And
>this goes for most of the other songs as well. Most remarkable is a Tom
>Thumb unlike anything I'd ever heard before--again, little guitar,
>playing mainly trills for some sort of Mexican effect (similar to what
>RR does on the Berkeley performance), but also cute little organ frills
>throughout, and Dylan stretching out every line like a trained tenor.
>
>Ironically, "From a Buick 6", in this all but one-off performance,
>sounds most like the record of the Highway 61 songs here. Good stuff,
>although you can tell it fell a little flat with the audience, who
>would have had five days to pick up their Highway 61 album before
>coming to this concert.
>
>To be honest though, this is a pretty plain-sounding band, and the
>riffs played are borderline cheesy, especially from Kooper, on a couple
>of cuts--i.e. Tombstone Blues. (Robertson's guitar is very fine on that
>track, on the other hand.) A major exception is Thin Man, where Kooper
>plays pretty much the organ part on the record, a nice dark sound.
>Dylan's voice is biting and inspired on this performance. Probably the
>strongest cut on the CD.
>
>After the slightly weird sounding LARS, Dylan signs off with a "Thank
>you very much" in a tone of voice that's a little difficult to
>decipher. No encores, just a message from the PA announcer telling the
>audience to go home.
>
>All in all, as a performance, I don't quite like as much as Newport or
>Berkeley, or needless to say, England '66. But it is not inferior--just
>different, a telling early stage in the electrification of Bob Dylan.
>For that reason, well worth having...and of course, having this concert
>in circulation just amplifies and reemphasizes the incredible growth
>and productivity of Dylan between January of 65 (BIABH session) and the
>end of that very summer..hard to believe this show is just 3 months
>removed from the all-acoustic BBC sessions and the Times/Freewheelin'
>dominated England tour of '65. Not only that, but, to repeat, the sound
>quality on this show is really excellent.
>
>Other notes:
>
>Tombstone Blues (live cut) picks up at end of first verse; some
>distorted tape on the harmonica fadeout of Tambourine man. Otherwise,
>A+ sound. Liner notes on back cover; inside contains a review of the
>show offered on a radio show (apparently) about a month after the
>concert, that concludes "For an hour or two, we had known a lion." The
>studio outtake with the vocal overdubs (on the refrain) is pretty
>amusing--a little bluegrass harmony tossed in. The backup voices are
>unidentified. It sounds like they're singing "food", not "the fuse",
>FWIW. Ditto on the hollywood bowl performance from Dylan's mouth.
>Message-ID: <35EC06E9.2781@punkhart.com>
>Date: Tue, 01 Sep 1998 07:38:33 -0700
>From: John Howells
>Newsgroups: rec.music.dylan
>Subject: Re: We Had Known a Lion review
>
>Thad Williamson wrote:
>> A major exception is Thin Man, where Kooper
>> plays pretty much the organ part on the record, a nice dark sound.
>
>Kooper didn't play the organ part on the record, though. It was
>way beyond his capabilities at that time. I think Kooper played
>electric piano, Paul Griffin played Hammond organ, and Dylan played
>acoustic piano. Kooper does a good job on the live version, but it
>in no way resembles the organ part on the record.
>> The
>> studio outtake with the vocal overdubs (on the refrain) is pretty
>> amusing--a little bluegrass harmony tossed in. The backup voices are
>> unidentified. It sounds like they're singing "food", not "the fuse",
>> FWIW. Ditto on the hollywood bowl performance from Dylan's mouth.
>It was the Chambers Brothers.
>From: rcj10@cus.cam.ac.uk (Craig Jamieson)
>Newsgroups: rec.music.dylan
>Subject: Back In Hollywood Bowl 1965 (Bell Bottom 036, 1998)...
>Date: 7 Sep 1998 12:17:18 GMT
>Message-ID: <6t0ise$oik$1@pegasus.csx.cam.ac.uk>
>Back In Hollywood Bowl 1965
>Bell Bottom 036, 1998
>Just another glass-mastered incarnation of the CD
>Electric Black Nite Crash (Junkyard Angel, Junk 001, 1998)
>and the CD Hollywood Bowl - Desk Tape 1965 (HB 09, 1998)
>found also on perhaps 8 different CD-R titles such as
>Live At The Hollywood Bowl (Western Electric/Wild Wolf,
>1998) etc etc etc?
>
>The complete tape everyone was trading ages ago is available
>on We Had Known A Lion (2 CD-Rs, Vigotone, 071, 072, 1998)
>for those who prefer CD-R to tape trading.
Crazy Joe ratings (on a scale from 0 - 5):
5 for "Electric Black Nite Crash"
>From: Alan Fraser
>Newsgroups: rec.music.dylan
>Subject: Re: We Had Known a Lion
>Date: 14 Sep 1998 01:34:41 -0700
>Message-ID: <6tikf1$ggv@drn.newsguy.com>
>In article , ronbow1@aol.com says...
>>
>>Has anyone been able to A/B the new Vigotone 2-CD set of Hollywood Bowl 65
>>against the Western Electric?
>>
>>Curious about quality -- same, similar?
>No experience of either of these specific sets, but someone who's
>heard them both told me the single CD Hollywood Bowl 65 was from
>the same source but had better sound than Western Electric. I have
>heard both Hollywood Bowl 65 and the 2 CD set on Shotgun Records
>called Walkin' Like Rimbaud (the same material as We had Known A
>Lion) and I can definitely say that the sound on the single CD is better
>than the double, which suffers from distortion in the louder parts.
>From: gillamont@aol.com (GilLamont)
>Newsgroups: rec.music.dylan
>Subject: Re: We Had Known a Lion (Was: Dylan import CD)
>Date: 2 Nov 1998 16:55:04 GMT
>>We Had Known a Lion" has
>
>>Disc 1
>>
>>(Same as 1-7 on LatHB)
>>
>>Disc 2
>>(All electric)
>>1. Tombstone Blues
>>2. Believe You
>>3. Buick 6
>>4. Tom Thumb
>>5. Maggie's
>>6. It Ain't Me Babe
>>7. Thin Man
>>8. Like a Rolling...
>>
>>bonus: studio alternate version
>>9. Tombstone Blues (acetate)
>>
>>So as far as the concert goes we are talking two additional electric
>>songs and a change in order (swapping Buick and Tom Thumb).
>>
>>Any comments? Is "Lion" the whole show? Is the order correct there?
>>
>
>This concert isn't listed in Krogsgaard, but the August 28 1965 Forest Hills
>show is [113]. In that show, the electric set has the same order.
>
>So, if one dares to assume ...
> From: "Thomas Stemper"
> Newsgroups: rec.music.dylan
> Subject: FS: Dylan "WE HAD KNOWN A LION" 2 CD real VigOtone release
> Date: Mon, 28 Dec 1998 11:38:35 -0600
> Available for sale: Double CD authentic VigOtone release (catalog
> #VT-170/171 and you can tell it's an original by the photo clarity of the
> inserts) of the relatively new Dylan title "WE HAD KNOWN A LION" which
> contains the COMPLETE Hollywood Bowl, LA, 9/3/65 concert [acoustic and
> electric sets] plus the 6:26 minute bonus track of "Tombstone Blues"
> w/background vocal overdub by the Chambers Brothers. Please note, if you
> don't already know, that ALL new VigOtone releases, going back for well over
> one year now, are on CD-R. This particular double CD-R is on Kodak CD-R and
> both discs are in pristine shape (no smudges or scratches whatsoever).
> From: peer.donner@iname.com
> Newsgroups: rec.music.dylan
> Subject: Re: Hollywood Bowl Concert, Sept. 1965
> Date: Wed, 13 Jan 1999 09:48:10 GMT
> I got one hollywood bowl cd in feb. ´98.
> Don´t know if it´s
> the complete show, but it´s great. Titels: 1. She belongs 2. Ramona 3. Gates
> of Eden 4. Baby Blue 5. DR 6. Love Minus Zero 7. Tambourine Man (all
> accoustic) 8. Don´t belive 9. Tom Thumbs 10. Buick 6 11. Maggies Farm 12 Thin
> Man. 13. Rolling Stone (electric). There´s no label-sign on that cd except
> HB09 (Could be Bowl an september).
So then it must be the CD "Bob Dylan: Hollywood Bowl - Desk Tape 1965"
> Okay, sound quality is a problem. Lot´s of
> up´s and down´s. Sound in DR is nearly fucked up. Anyway - I love this one.
> From: alan.fraser@cwcom.net (Alan Fraser)
> Newsgroups: rec.music.dylan
> Subject: Re: Hollywood Bowl Concert, Sept. 1965
> Date: Wed, 13 Jan 1999 11:22:39 GMT
> This is missing 2 electric songs - It Ain't Me, Babe and Tombstone
> Blues. They can be found on Folk Rogue and The Ghost Of Electricity.
> The sets We Have Known A Lion and Walkin' Like Rimbaud both have the
> concert on 2 CDs with the 8 electric songs on CD2, but not in that
> good quality. The recent Dandelion release, From Newport To The
> Ancient Empty Street Of LA, has the set in better quality with Newport
> at the front and the out-take of Tombstone Blues with the Chambers
> Brothers as a bonus track. It does, however, split the acoustic set
> across CDs 1 and 2, which I find annoying.