House Of Blues, Atlanta, 3 Augustus 1996 |
To Be Alone With You |
Shake Sugaree |
All Along The Watchtower |
You're A Big Girl Now |
It Takes A lot To Laugh, It Takes A Train To Cry |
Silvio |
Boots Of Spanish Leather |
Ballad Of Hollis Brown |
Don't Think Twice, It's All Right |
Maggie's Farm |
She Belongs To Me |
Highway 61 Revisited |
Alabama Getaway |
My Back Pages |
Rainy Day Women # 12 & 35 |
Wolftrap, Vienna, 24 Augustus 1997 |
Rovin' Gambler |
Tangled Up In Blue |
Cocaine Blues |
Ardent Studios, Memphis, Tennessee, 1994 |
Blue Eyed Eyed Jane (with Emmylou Harris) (outtake from "The Songs Of Jimmie Rodgers - A Tribute") |
Crazy Joe rates the overall quality B (on a scale from F to A), meaning excellent, and the recording quality 7 (on a scale from 0 to 9), meaning excellent.
>Subject: Q: House Of The Blues 2CD / FYI Songs From The Soundboard '97 2CD >From: blackbox@erfurt.thur.de (Schwarz) >Date: 1998/01/29 >Message-ID: <34d105e3.23713924@news.erfurt.thur.de> >Newsgroups: rec.music.dylan >2CD House Of The Blues - Atlanta '96 >(dealers list wrongly 8 Aug 96)
>From: alan.fraser@mcmail.com (Alan Fraser) >Newsgroups: rec.music.dylan >Subject: Unofficial CD News >Date: Thu, 12 Feb 1998 11:39:03 GMT >Message-ID: <34e2d5af.6510534@news.is.chbs> >House Of The Blues: Atlanta, 8 Aug 97, a recording from a video feed, >slightly below the quality of a soundboard, but reportedly very good. >Filler is (believe it or not!) from Wolftrap 97, but a surprise bonus >is the studio version of My Blue-Eyed Jane with Emmylou Harris on >vocals rejected by Bob for the Jimmie Rodgers tribute.
>Subject: Where beauty goes unrecognized #14 >From: E.W.Schoneveld@caiw.nl (Eric Schoneveld) >Date: Sun, 15 Feb 1998 15:42:26 GMT >House Of The Blues 550 >none 2cd >EUR >A complete recording taken from the video feed of this Atlanta '96 show. >The audience tapes of this show suffered from a lot of crowd noise, since >it was a chatty crowd, almost none of that can be heard here. Apparently >Dylan did hear it either as he gives a wonderful performance. The acoustic >set is the hilight of this disc for me, and a great She belongs to me. The >soundquality is great, it has a bit of his, but that doesnt detract from >the performance. This seems to be a rough mix, but it's well balanced >nevertheless. The last filler track is an outtake of the JR tribute album >with Emmylou Harris doing some background vocals. This disc comes certainly >recommended. >Rating *****/*****
>From: alan.fraser@mcmail.com (Alan Fraser) >Newsgroups: rec.music.dylan >Subject: Re: Songs Of Jimmie Rodgers - A Tribute (Egyptian Records/Columbia, CD485189 2 (250), 1997)... >Date: Wed, 04 Mar 1998 18:08:31 GMT >Message-ID: <34fd974b.4126653@news.mcmail.com> >>Some say My Blue Eyed Jane (Lulu Belle White / >>Jimmie Rodgers) on the Bob Dylan album >>House Of The Blues is an outtake from the sessions >>for The Songs Of Jimmie Rodgers - A Tribute >>(Egyptian Records/Columbia, CD 485189 2 (250), 1997), >>not a pirate from that album? >> >>Anyone compared? >> >>Anyone have either album? >I have them both - they are different. The last track on CD 2 of the >House Of The Blues is the version with Emmylou Harris. It's listed as >having been recorded at Ardent Studios, Memphis, TN. The session 9-11 >May 94 was when the snippet included on the H61I CD-ROM was recorded, >but I am not sure this is also correct for the Emmylou Harris version. >From: Bob Stacy>Newsgroups: rec.music.dylan >Subject: Re: Songs Of Jimmie Rodgers - A Tribute (Egyptian Records/Columbia, CD > 485189 2 (250), 1997)... >Date: Wed, 04 Mar 1998 18:53:25 -0500 >Message-ID: <34FDE974.A9B84097@usit.net> >The Jimmie Rodgers Tribute (JRT) track and the track >on House Of The Blues (HOTB) are not the same. Slightly different >pacing and instrumental mix. A female voice (assumed to be Emmylou >Harris or certainly sounds like her) accompanies Dylan on the HOTB >track. Lyrics are virtually the same on the two tracks, but a quick >comparison indicates a slight difference in the final verse: > >(JRT): ... shadows creeping *all* over town ... >(HOTB): ... shadows creeping over town ...
>From: "Marty Traynor">Newsgroups: rec.music.dylan >Subject: House of Blues cd >Date: Fri, 3 Apr 1998 21:56:03 -0600 >Message-ID: <6g4bf4$i8e@newsops.execpc.com> >Some thoughts on the cd House of Blues from Atlanta August 8, 1996: > >1. Fans of Bucky Baxter should consider this a must. The mix on many >informal tapes leaves Bucky at the bottom, muddied away from the core of the >band's sound. Here his playing is up front and sweet, from the opening on. > >2. To Be Alone With You and I've Got a Secret (AKA Shake Sugaree) are the >twin openers. Many times the opening songs at a Dylan show are marked by >weaker vocals or tentative playing. Here the band hits an immediate groove >and while Dylan doesn't push the vocals at all, he has a strength of voice, >very focused and purposeful. > >3. She Belongs to Me....ah, what a performance. Also Don't Think Twice, >which has had a lot of great outings lately. > >4. The other My Blue Eyed Jane, the Emmylou Harris one is here, too. And a >belated happy birthday to Emmylou, who caught up to me at age 51 as of >yesterday. I can't decide which version of Blue Eyed Jane I like better. >From: yofranzy@aol.com (YOfranzy) >Newsgroups: rec.music.dylan >Subject: Re: House of Blues cd >Date: 4 Apr 1998 15:55:57 GMT >Message-ID: <1998040415555701.KAA24628@ladder03.news.aol.com> >how about my back pages? this is the version from the live '96 independent >record stores promo but this version has the entire harmonica solo which for >some strange reason sony felt should be edite when they made the promo disc. >From: phyatt1962@aol.com (PHyatt1962) >Newsgroups: rec.music.dylan >Subject: Re: House of Blues cd >Date: 4 Apr 1998 17:31:58 GMT >Message-ID: <1998040417315801.MAA09000@ladder03.news.aol.com> >Marty, > >The harmonica solo alone is worth the price of the disc! > >I think House of Blues will go down as being a real good representative of >Dylan's work in 1996...the vocals are impassioned, and, as was said, anyone who >loves to hear Baxter's work, can appreciate here, in full sound.